The Naked Brothers Band: The Movie

The Naked Brothers Band: The Movie

The Naked Brothers Band is an American musical comedy film written and directed by Polly Draper which stars her sons, Nat Wolff and Alex Wolff, who portray members of a fictional rock group. It tells of the boys' struggles with their fame and an internal dispute that causes the band to split before reuniting in the end. The cast keep their full names on-screen. However, Allie DiMeco portrays Nat's female interest Rosalina, the siblings' actress cousin Jesse Draper plays the group's babysitter Jesse Cook, and the siblings' jazz pianist father Michael Wolff portrays their accordionist dad Mr. Wolff.

Draper shot the film in the style of a mockumentary—a parody in documentary format—that depicts the daily activities of the characters. It was emboldened by Nat's genuine band, The Silver Boulders, which he created in preschool with his friends who all portray themselves in the film. Nat composed and performed the music, though one song had been written by Alex. Principal photography took place in mid-2004 on location in New York City, and the interior scenes were vastly filmed in the family's Manhattan apartment.

In late 2005, Polly Draper, of Thirtysomething fame, and her husband Michael Wolff, entered the film in the Hamptons International Film Festival, where it won the audience award for family feature film. Albie Hecht, a former Nickelodeon executive and founder of Spike TV, was in the audience and commissioned the movie, in affiliation with his Worldwide Biggies label. It became the pilot for the potential Nickelodeon show of the same name, airing in the United States on January 27, 2007. The series was created and produced by Draper and premiered in February 2007, to the channel's highest ratings in seven years for viewers in the 6–11 age group.

Read more about The Naked Brothers Band: The Movie:  Plot, Characters, Reception

Famous quotes containing the words brothers and/or movie:

    Whether changes in the sibling relationship during adolescence create long-term rifts that spill over into adulthood depends upon the ability of brothers and sisters to constantly redefine their connection. Siblings either learn to accept one another as independent individuals with their own sets of values and behaviors or cling to the shadow of the brother and sister they once knew.
    Jane Mersky Leder (20th century)

    The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?
    Joyce Carol Oates (b. 1938)