Contemporary Effect
It has been said of the 1960s: "the rebirth of poetry then was largely due to the humour and fresh appeal of this collection." The book had a magical effect on many people who read it, opening their eyes from "dull" poetry to a world of accessible language and the evocative use of everyday symbolism. Leading anthologist, Neil Astley, describes how he had been reading the classic poets at school in the 1960s, and one day his teacher read from The Mersey Sound: "That woke us up." The same experience is described by a freelance writer Sid Smith years later in a 2005 blog, looking back at his first encounter with the book in 1968, when again a teacher read from it:
| “ | The cover design was a psychedelic beacon flashing at the outer edge of our black and white lives. The times were polarised and solarised and this small book was impossibly exotic and esoteric ...
During 1969 that slim volume was as well read as any of my Marvel and DC comics, space race enclyopedia or the Dr. Who annuals that never quite lived up to the show itself. Of course I didn’t “get” most of what The Mersey Sound was about but that didn’t matter. It made me feel somehow connected to, well, whatever it was that I thought was going on out there in that wider, long-haired world that I intuitively knew I wanted to be part of. |
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Read more about this topic: The Mersey Sound (book)
Famous quotes containing the words contemporary and/or effect:
“Americans have internalized the value that mothers of young children should be mothers first and foremost, and not paid workers. The result is that a substantial amount of confusion, ambivalence, guilt, and anxiety is experienced by working mothers. Our cultural expectations of mother and realities of female participation in the labor force are directly contradictory.”
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“To say that a man is vain means merely that he is pleased with the effect he produces on other people. A conceited man is satisfied with the effect he produces on himself.”
—Max Beerbohm (1872–1956)