Realism
The setting and plot of The Master Builder can be taken as one of unrelenting, "frock-coated realism": the destructive outcome of a middle-aged, professional man's infatuation with a younger, teasing woman or, as critic Desmond MacCarthy prosaically describes this concept of the work: the tragedy of an "elderly architect who falls off his scaffold while trying to show off before a young lady". If, however, we take Solness's belief in his powers at their face value, the play can also be a lyrical and poetic fairytale, in the manner of Peer Gynt travelling the Earth in his magical adventures while the faithful Solveig waits for his return. On stage both interpretations are possible, although it is difficult to give equal weight to both meanings in the same production.
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Famous quotes containing the word realism:
“Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.”
—Julia Marlowe (1866–1950)
“I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.”
—Oscar Wilde (1854–1900)
“The realism of failure, the romance of success.”
—Mason Cooley (b. 1927)