The Man Who Saw Tomorrow - Welles' View

Welles' View

Welles, though he agreed to host the film, was not a believer in the subject matter presented. Welles' main objection to the generally accepted translations of Nostradamus' quatrains (so called because Nostradamus organized all his works into a series of four lined prose, which were then collected into "centuries", or groups of 100 such works) relates in part to the translation efforts. While many skilled linguists have worked on the problem of translating the works of Nostradamus, all have struggled with the format the author used.

Nostradamus lived and wrote during a period of political and religious censorship. Because of this it is said he disguised his writings not only with somewhat cryptic language, but in four different languages (Latin, French, Italian and Greek). Not content with such obfuscation, Nostradamus is also said to have used anagrams to further confuse potential inquisitors (particularly with respect to names and places).

Welles himself completely rejected the central theme of the film after having made it. It is not known if Welles was contractually obligated to narrate the film, or if he simply grew disenchanted with its subject matter and presentation after completing it. Perhaps Welles' most public detraction from the subject matter of the film occurred during a guest appearance on an early 1980s episode of The Merv Griffin Show; "One might as well make predictions based on random passages from the phone book", he offered when asked about the film, before moving on to discuss other projects more interesting to him personally.

It is worth noting that Welles has previously been known, despite his grand and well-deserved reputation as a performer, to take the equivalent of film "grunt work" in order to self-finance his personal projects. In and around the time of this film's creation, Welles was attempting to finance a restored release (which would today be referred to as a "director's cut") of his film The Magnificent Ambersons, which he had always claimed the studio ruined during editing.