Criticism
Hugo's Romantic novel The Man Who Laughs places its narrative in 17th century England, where the relationships between the bourgeoisie and aristocracy are complicated by continual distancing from the lower class. Hugo's protagonist, Gwynplaine (a physically transgressive figure, something of a monster) transgresses these societal spheres by being reinstated from the lower class into the aristocracy—a movement which enabled Hugo to critique construction of social identity based upon class status. Stallybrass and White's "The Sewer, the Gaze and the Contaminating Touch" addresses several of the class theories regarding narrative figures transgressing class boundaries. Gwynplaine specifically can be seen to be the supreme embodiment of Stallybrass and White's "rat" analysis, meaning Hugo's protagonist is, in essence, a sliding signifier.
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“A tailor can adapt to any medium, be it poetry, be it criticism. As a poet, he can mend, and with the scissors of criticism he can divide.”
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