The Lovely Bones - Commercial and Critical Reception

Commercial and Critical Reception

Sebold's novel was a surprise success when it was first published, mainly because it was written by a young author known only for one other book. In addition, the plot and narrative device are unusual and unconventional. It would have been considered a success by Little, Brown and Company had it sold 20,000 copies, but it ultimately sold over a million and remained on the New York Times hardback bestseller list for over a year. Some of that could have been attributed to adroit marketing. Prior to its June publication, an excerpt was run in Seventeen. Shortly afterwards, ABC's Good Morning America chose it for its book club. The book became a popular summer read and a runaway success, with much of its sales subsequently attributed to word of mouth.

Critics also helped the novel's success by being generally positive, many noting that the story had more promise than the idea of a brutally murdered teenage girl going to heaven and following her family and friends as they get on with their lives would have suggested. "This is a high-wire act for a first novelist, and Alice Sebold maintains almost perfect balance", wrote Katherine Bouton in The New York Times Book Review.

The novel also sold well in other English-speaking countries, though reviews were not as glowing. While admitting the novel "has its very fine moments", The Guardian's Ali Smith ultimately said, "The Lovely Bones is so keen in the end to comfort us and make safe its world that, however well-meaning, it avoids its own ramifications". Her Observer colleague Philip Hensher was more blunt, conceding that the novel was "very readable" but "ultimately it seems like a slick, overpoweringly saccharine and unfeeling exercise in sentiment and whimsy".

Read more about this topic:  The Lovely Bones

Famous quotes containing the words commercial, critical and/or reception:

    There is every reason to rejoice with those self-styled prophets of commercial disaster, those harbingers of gloom,
    Over the imminent lateness of the denouement that, advancing slowly, never arrives,
    At the same time keeping the door open to a tongue-in-cheek attitude on the part of the perpetrators....
    John Ashbery (b. 1927)

    From whichever angle one looks at it, the application of racial theories remains a striking proof of the lowered demands of public opinion upon the purity of critical judgment.
    Johan Huizinga (1872–1945)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)