The Little Sister - Style

Style

Chandler, along with Dashiell Hammett, defined the hardboiled school of detective fiction, popularized in pulp magazines such as Black Mask. The hardboiled school was an alternative to the traditional murder mysteries of people like Agatha Christie and Dorothy Sayers. Unlike the mannered, complex plots typical of these authors the hardboiled stories moved "murder out of the Venetian vase and into the alley" and "gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not with hand-wrought duelling pistols, curare, and tropical fish."

One thing that distinguished Chandler's hero Philip Marlowe even from his other hardboiled peers is that Marlowe often doesn't apprehend the criminal and explain every plot point at the end of the novel. Marlowe is a witness to events and at most able to manipulate them in subtle ways to balance the scales of justice a bit. Nowhere is this more apparent than in The Little Sister. Marlowe is always arriving too late to prevent a murder or catch the criminal. Even at the very end when he has finally solved the complex riddle of the case his last act is simply to notify the police too late and let events take their course.