Development
The Little Shop of Horrors was developed when director Roger Corman was given temporary access to sets that had been left standing from A Bucket of Blood. Corman decided to use the sets in a film made in the last two days before the sets were torn down.
Corman initially planned to develop a story involving a private investigator. In the initial version of the story, the character that eventually became Audrey would have been referred to as "Oriole Plove". Actress Nancy Kulp was a leading candidate for the part. The characters that eventually became Seymour and Winifred Krelboyne were named "Irish Eye" and "Iris Eye." Actor Mel Welles was scheduled to play a character named "Draco Cardala", Jonathan Haze was scheduled to play "Archie Aroma," and Jack Nicholson would have played a character named "Jocko".
Charles B. Griffith wanted to write a horror-themed comedy film. According to Mel Welles, Corman was not impressed by the box office performance of A Bucket of Blood, and had to be persuaded to direct another comedy. The first screenplay Griffith wrote was Cardula, a Dracula-themed story involving a vampire music critic. After Corman rejected the idea, Griffith wrote a screenplay titled Gluttony, in which the protagonist was "a salad chef in a restaurant who would wind up cooking customers and stuff like that." According to Griffith, Corman was unable to make the film because of the Production Code.
Griffith states that Corman agreed to make a film about a man-eating plant, after the two had become intoxicated. The screenplay was written under the title The Passionate People Eater. Welles stated, "The reason that The Little Shop of Horrors worked is because it was a love project. It was our love project."
Read more about this topic: The Little Shop Of Horrors
Famous quotes containing the word development:
“The man, or the boy, in his development is psychologically deterred from incorporating serving characteristics by an easily observable fact: there are already people around who are clearly meant to serve and they are girls and women. To perform the activities these people are doing is to risk being, and being thought of, and thinking of oneself, as a woman. This has been made a terrifying prospect and has been made to constitute a major threat to masculine identity.”
—Jean Baker Miller (20th century)
“Women, because of their colonial relationship to men, have to fight for their own independence. This fight for our own independence will lead to the growth and development of the revolutionary movement in this country. Only the independent woman can be truly effective in the larger revolutionary struggle.”
—Women’s Liberation Workshop, Students for a Democratic Society, Radical political/social activist organization. “Liberation of Women,” in New Left Notes (July 10, 1967)
“The experience of a sense of guilt for wrong-doing is necessary for the development of self-control. The guilt feelings will later serve as a warning signal which the child can produce himself when an impulse to repeat the naughty act comes over him. When the child can produce his on warning signals, independent of the actual presence of the adult, he is on the way to developing a conscience.”
—Selma H. Fraiberg (20th century)