Production
Despite his age, Attenborough travelled just as extensively as in all his previous productions, with each episode leapfrogging to a multitude of locations around the world.
The filming, as ever, provided many challenges. To capture footage for the first time of skunks foraging in a cave of bats, extra protective measures had to be taken for the crew, as it was a very hostile environment. The air was full of ammonia, the main occupants urinated copiously from above, and other inhabitants included flesh-eating maggots and a rattlesnake.
For a sequence featuring grizzly bears at close quarters, the camera team were accompanied by Buck Wilde, an ursine specialist. When a bear was too inquisitive he was able to command it to turn away simply by raising his hands. However, a cameraman confessed that at the time, he was sure there would come a moment when the animal would just continue towards them regardless.
To get themselves up into the canopy of a tropical rainforest the crew used a catapult to fire a fishing line 100 metres into the uppermost branches. This was then attached to a rope and pulley counterbalance system. The difficulties involved were first actually finding an ideal tree, and then, having settled on one, watching out for passing snakes and primates en route to the top.
Big cats that hunt nocturnally, such as lions, leopards and tigers, had never been extensively filmed doing so before. But the latest infrared technology revealed behaviour that had previously been guessed at from evidence discovered the next day. The series was among the first to benefit from the features of digital television. After each episode's transmission on BBC One, terrestrial viewers were shown a ten-minute featurette on an aspect of its making. Those with digital equipment had the option of switching to an interactive quiz, hosted by Attenborough.
Read more about this topic: The Life Of Mammals
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)