Reception
The Last Picture Show won Academy Awards for Best Supporting Actor (Ben Johnson) and Best Supporting Actress (Cloris Leachman). It was also nominated in the categories for Best Supporting Actor (Jeff Bridges), Best Supporting Actress (Ellen Burstyn), Best Cinematography (Robert L. Surtees), Best Director (Peter Bogdanovich), Best Picture (Stephen J. Friedman), and Best Adapted Screenplay (Larry McMurtry and Peter Bogdanovich).
In 1998, The Last Picture Show was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry. It also ranked number 19 on Entertainment Weekly's list of the 50 Best High School Movies. In 2007, the film was ranked #95 on the American Film Institute's 10th Anniversary Edition of the 100 greatest American films of all time.
In April 2011, The Last Picture Show was re-released in UK and Irish cinemas, distributed by Park Circus. Total Film magazine gave the film a five-star review, stating: "Peter Bogdanovich's desolate Texan drama is still as stunning now as it was in 1971."
Stephen King's novel Lisey's Story makes repeated references to The Last Picture Show as the main character Scott Landon frequently watches the film throughout the novel during flashbacks.
Read more about this topic: The Last Picture Show
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)