Production
Rights to Matheson's novel had been bought by producer Anthony Hinds for Hammer Productions. Matheson wrote a script but the British censors would not allow its production so Hinds sold the script to Robert Lippert. Lippert originally told Matheson that Fritz Lang was to direct but eventually Sidney Salkow was chosen. To save money the film was shot in Italy with a predominantly Italian cast and crew.
There are differences between the film and the novel in which it's based. The protagonist of the novel is named Robert Neville, not Robert Morgan. The movie also changed the protagonist's profession from plant worker to scientist. The film's vampires are almost zombie-like, whereas in the book, they are fast, capable of running and climbing. The dog that shows up on Neville's doorstep is timid in the novel, and comes and goes as it pleases. The relationship with Ruth also slightly differs from the novel, and no transfusion takes place; a cure seems implausible, even as Neville hopes he will find one. Ruth escapes after Neville discovers that she is infected. He is not captured until many months later, and even then he barely fights. The book ends shortly before Neville is to be executed: Ruth returns to give him suicide pills, and finds it ironic that he has become as much of a legend to the new society as vampires once were to his (hence the title). The novel implies that the vampire plague resulted from a biological disease. The origin of the disease is not explained in The Last Man on Earth, and is altered in the subsequent adaptations.
Read more about this topic: The Last Man On Earth (1964 Film)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)