Summary
Vilar’s narrative is circular and framed by her description of the time she spent in psychiatric hospitals following two attempted suicide attempts while a college student. Vilar grew up in Puerto Rico with her parents and three older brothers. Her mother Gladys committed suicide by jumping out of a moving car while eight-year-old Irene was sitting next to her. Vilar mourned her mother’s death and decided to attend school in the United States, where her aunt and uncle were working, and then in Spain, in the town where her paternal grandfather fled around the time of the Spanish Civil War. As a college student in Syracuse, Vilar attempted suicide twice and spent time psychiatric wards.
Gladys Méndez, Vilar’s mother, committed suicide when Vilar was eight years old. Gladys’s own mother left her to be raised by her grandparents so that she could go to the United States and work during the so-called “Great Migration” of people from the island of Puerto Rico during the mid-twentieth century. Gladys only met her mother in person four times in her life, once when Gladys was eight and her mother came to leave a son in Puerto Rico, and three times while Lolita (Gladys's mother) was imprisoned. Gladys married at fifteen, and her husband had affairs with other women throughout their marriage. The couple had dramatic fights and reconciliations. She became increasingly despondent and physically ill towards the end of her life.
Lolita Lebrón, Vilar’s grandmother, led an armed attack on the United States House of Representatives on March 1, 1954. She had been inspired by Puerto Rican nationalist leader Pedro Albizu Campos. She, along with three male counterparts, sat in the visitor’s area, called “The Ladies’ Gallery” and opened fire in the chamber. Several congressmen were hurt, but no one was killed. Due to a recent attack on President Truman’s temporary residence, the nationalist activists were expecting to be killed themselves. Lolita was sentenced to fifty-seven years in prison, of which she served twenty-seven until being pardoned by President Carter.
In addition to the women’s stories as imagined by Vilar, the memoir includes historical information, interview segments, and reflections on issues from cultural identity to literature. The memoir concludes with Vilar’s release from the hospital and miscarriage, along with an epilogue and note.
Read more about this topic: The Ladies' Gallery: A Memoir Of Family Secrets
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