The Killer (2006 Film) - Plot

Plot

The story follows one serial killer who uses the help of innocent taxi drivers to murder his targets. When The Central Bureau of Investigation (CBI), India, has been made aware of a killer cab-driver in Malaysia who killed several people in a matter of hours, and then crashed his taxi and killed himself. The same thing happened again, this time in Hong Kong, several people were killed by another cab-driver, who also ended up being killed. Now, this time in Dubai, taxi driver Nikhil Joshi (Emraan Hashmi). Nikhil is an Indian living in Dubai for a good life, and is madly in love with a cabaret dancer named Ria (Nisha Kothari). He is willing to do anything for Ria, and so is she. However, life has other plans for him when one night, a suave businessman named Vikram (Irrfan Khan), hails his cab.

Nikhil discovers that this pleasant passenger has an agenda of his own and a rather sinister one at that. Vikram holds Nikhil hostage in a bizarre plot to bump off various people who would testify against the dreaded don Jabbar (Zakir Hussain), who is at risk of being deported to India to face charges against him. As Nikhil helplessly becomes witness to one killing after another, he finds his life and dreams crumbling around him. Faced with the prospect of losing everything he has been working towards, he finally takes control of the steering wheel of his life. He stops dreaming and starts acting, as he begins to pit his wits against the assassin.

Killing one after another, Nikhil seems to be the prime suspect, that's why Vikram plans to kill him in his taxi and flee, however Nikhil fights back, and therefore Vikram escapes and kidnaps his girlfriend Ria. Only way Ria could survive is if Nikhil would take the blame of the murders Vikram has committed. Will Nikhil blame himself for something he didn't do, or will he stand his ground and fight Vikram the killer himself?

Read more about this topic:  The Killer (2006 Film)

Famous quotes containing the word plot:

    If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.
    John Ashbery (b. 1927)

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)

    Those blessed structures, plot and rhyme—
    why are they no help to me now
    I want to make
    something imagined, not recalled?
    Robert Lowell (1917–1977)