Plot
The story follows one serial killer who uses the help of innocent taxi drivers to murder his targets. When The Central Bureau of Investigation (CBI), India, has been made aware of a killer cab-driver in Malaysia who killed several people in a matter of hours, and then crashed his taxi and killed himself. The same thing happened again, this time in Hong Kong, several people were killed by another cab-driver, who also ended up being killed. Now, this time in Dubai, taxi driver Nikhil Joshi (Emraan Hashmi). Nikhil is an Indian living in Dubai for a good life, and is madly in love with a cabaret dancer named Ria (Nisha Kothari). He is willing to do anything for Ria, and so is she. However, life has other plans for him when one night, a suave businessman named Vikram (Irrfan Khan), hails his cab.
Nikhil discovers that this pleasant passenger has an agenda of his own and a rather sinister one at that. Vikram holds Nikhil hostage in a bizarre plot to bump off various people who would testify against the dreaded don Jabbar (Zakir Hussain), who is at risk of being deported to India to face charges against him. As Nikhil helplessly becomes witness to one killing after another, he finds his life and dreams crumbling around him. Faced with the prospect of losing everything he has been working towards, he finally takes control of the steering wheel of his life. He stops dreaming and starts acting, as he begins to pit his wits against the assassin.
Killing one after another, Nikhil seems to be the prime suspect, that's why Vikram plans to kill him in his taxi and flee, however Nikhil fights back, and therefore Vikram escapes and kidnaps his girlfriend Ria. Only way Ria could survive is if Nikhil would take the blame of the murders Vikram has committed. Will Nikhil blame himself for something he didn't do, or will he stand his ground and fight Vikram the killer himself?
Read more about this topic: The Killer (2006 Film)
Famous quotes containing the word plot:
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)