Technical Aspects
Similar to all Jujutsu systems, techniques utilise the use of the attackers' energy, momentum, size and weight to assert an advantage to the defender. This, with training, allows a small and weak jitsuka (student of jujutsu) to defeat a much bigger and stronger attacker by the application of strikes, locks, throws and immobilizations. Apart from the inevitable variations in technique that happen over time, TJF principles are in line with most modern practitioners of judo and jujutsu, with hip throws forming the basis of nage waza. These hip throws are similar to those found in the modernization of Japanese martial arts in the late 19th and early 20th century and are as such distinct from the balance taking of older Japanese arts, or kobudo.
Punches are taught in such a way to have often already surrendered the balance of the attacker. This is supposed to simulate the "committed punch". However, many older Japanese budo styles have systems of striking which purposefully do not commit, and so break one's own balance, until assured of reasonable success. Counters to these more sophisticated attacks are reserved for senior grade syllabi, in contrast to training traditional JiuJitsu styles in Japan where the emphasis is placed on a philosophy of immersion for all students.
Read more about this topic: The Jitsu Foundation
Famous quotes containing the words technical and/or aspects:
“When you see something that is technically sweet, you go ahead and do it and you argue about what to do about it only after you have had your technical success. That is the way it was with the atomic bomb.”
—J. Robert Oppenheimer (1904–1967)
“The North American system only wants to consider the positive aspects of reality. Men and women are subjected from childhood to an inexorable process of adaptation; certain principles, contained in brief formulas are endlessly repeated by the press, the radio, the churches, and the schools, and by those kindly, sinister beings, the North American mothers and wives. A person imprisoned by these schemes is like a plant in a flowerpot too small for it: he cannot grow or mature.”
—Octavio Paz (b. 1914)