Style
Shorinji Kan Jiu Jitsu is taught as a self-defence system which acknowledges that situations may include multiple armed or unarmed opponents, rather than a single "one on one" officiated match. Joint locks and throws complemented by weakening strikes are employed to deal with attackers in an efficient way. In most cases, a practising pair will include an Uki and a Tori in which the Uki launches an attack and the Tori defends. The style includes some treatment of groundwork (newaza) however to a far lesser degree than some sports-based styles of jujutsu. Much of the competition focus of styles such as Brazilian Jiu-Jitsu and Judo is ignored in favor of maintaining focus on the complete surroundings with all possible threats considered. The commonly held prescriptions of "clean fighting" are disregarded in the Jitsu Foundation and the use of all advantages available (including groin strikes, hair pulling, spinal locks, eye rakes, and to a small extent nerve points) is encouraged - although in competitions such as the Randori Nationals, these are not employed. The style has adopted the name 'jitsu', a shortened version of 'jiu jitsu,' or 'jujutsu.'
Read more about this topic: The Jitsu Foundation
Famous quotes containing the word style:
“All my stories are webs of style and none seems at first blush to contain much kinetic matter.... For me style is matter.”
—Vladimir Nabokov (18991977)
“New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere.”
—Robert Frost (18741963)
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)