The Jitsu Foundation - Style

Style

Shorinji Kan Jiu Jitsu is taught as a self-defence system which acknowledges that situations may include multiple armed or unarmed opponents, rather than a single "one on one" officiated match. Joint locks and throws complemented by weakening strikes are employed to deal with attackers in an efficient way. In most cases, a practising pair will include an Uki and a Tori in which the Uki launches an attack and the Tori defends. The style includes some treatment of groundwork (newaza) however to a far lesser degree than some sports-based styles of jujutsu. Much of the competition focus of styles such as Brazilian Jiu-Jitsu and Judo is ignored in favor of maintaining focus on the complete surroundings with all possible threats considered. The commonly held prescriptions of "clean fighting" are disregarded in the Jitsu Foundation and the use of all advantages available (including groin strikes, hair pulling, spinal locks, eye rakes, and to a small extent nerve points) is encouraged - although in competitions such as the Randori Nationals, these are not employed. The style has adopted the name 'jitsu', a shortened version of 'jiu jitsu,' or 'jujutsu.'

Read more about this topic:  The Jitsu Foundation

Famous quotes containing the word style:

    To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body—both go together, they can’t be separated.
    Jean-Luc Godard (b. 1930)

    There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.
    Gustave Flaubert (1821–1880)

    To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.
    Paul Goodman (1911–1972)