Style
Shorinji Kan Jiu Jitsu is taught as a self-defence system which acknowledges that situations may include multiple armed or unarmed opponents, rather than a single "one on one" officiated match. Joint locks and throws complemented by weakening strikes are employed to deal with attackers in an efficient way. In most cases, a practising pair will include an Uki and a Tori in which the Uki launches an attack and the Tori defends. The style includes some treatment of groundwork (newaza) however to a far lesser degree than some sports-based styles of jujutsu. Much of the competition focus of styles such as Brazilian Jiu-Jitsu and Judo is ignored in favor of maintaining focus on the complete surroundings with all possible threats considered. The commonly held prescriptions of "clean fighting" are disregarded in the Jitsu Foundation and the use of all advantages available (including groin strikes, hair pulling, spinal locks, eye rakes, and to a small extent nerve points) is encouraged - although in competitions such as the Randori Nationals, these are not employed. The style has adopted the name 'jitsu', a shortened version of 'jiu jitsu,' or 'jujutsu.'
Read more about this topic: The Jitsu Foundation
Famous quotes containing the word style:
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“Carlyle must undoubtedly plead guilty to the charge of mannerism. He not only has his vein, but his peculiar manner of working it. He has a style which can be imitated, and sometimes is an imitator of himself.”
—Henry David Thoreau (1817–1862)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)