Background
Beginning in 1913, Thomson annually stayed in Algonquin Park from the spring until the autumn, working as a guide and fire ranger while also fishing and painting for his own pleasure. It was there, at Carcajou Bay on Grand Lake, that Thomson made the oil sketch in 1916 that he would use for the final painting in 1917. There are numerous other paintings by Thomson with compositions similar to that of The Jack Pine: in fact, the majority of Thomson's canvasses depict the far side of a shore. These include Northern Lake (1912–13), his first; Pine Island, Georgian Bay (1914–16; pictured); and more famously, The West Wind (1917), another painting of iconic status.
Read more about this topic: The Jack Pine
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“In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.”
—Emma Goldman (1869–1940)
“Pilate with his question “What is truth?” is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.”
—Friedrich Nietzsche (1844–1900)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)