The Iron Petticoat - Reception

Reception

The Iron Petticoat was a critical and box-office failure when it was released beginning in December 1956 in the United States. Bosley Crowther of the New York Times, noting Hecht had disavowed his work on the film, summed up many of the critic's appraisals, "'The Iron Petticoat,' which encloses Katharine Hepburn and Bob Hope, is about as inflexible and ponderous as the garment its title describes. And everybody connected with it might be forgiven for trying to claim an out." He also wrote: "Miss Hepburn's Russian affectations and accent are simply horrible, and Mr. Hope's wistful efforts with feeble gags to hold his franchise as a funny man are downright sad. The notion of these two characters falling rapturously, romantically in love is virtually revolting. If this was meant to be a travesty, it is."

Read more about this topic:  The Iron Petticoat

Famous quotes containing the word reception:

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)