Plot
Captain Vinka Kovelenko (Katharine Hepburn) lands a Russian jet in West German territory, to the surprise of U.S. armed forces who take her prisoner. She is neither on a mission nor defecting, however, just upset about a personal matter back home. American Col. Tarbell (Alan Gifford) cancels the furlough of Capt. Chuck Lockwood (Bob Hope), who is eager to leave for London and visit his wealthy fiancée Connie (Noelle Middleton). The colonel wants Chuck to sell the Soviet aviatrix on everything that is good about America and permanently come over to their side. He even dangles a $100,000 bonus if Lockwood succeeds.
Vinka is pursued by her former lover, Ivan (Robert Helpmann), an engineer. She shows no interest in Chuck and is just as determined to sell him on Russian virtues as he is on influencing her. He describes her as cold and unappealing, but when Connie makes a surprise visit, Vinka strolls into Chuck's room wearing little else but a pajama top and her military medals. Connie becomes increasingly angry with Chuck, more so when she finds out that he is not as well-off financially as he has pretended to be.
Vinka begins to dress more and more in an enticing manner. One night at a Russian restaurant, comrades come to kidnap her. A sleeping potion meant for Chuck ends up in Tarbell's drink instead. Connie is mistaken for Vinka in a cloak room and taken captive. In time, the Russians misunderstand Vinka's intentions and charge her with treason. Chuck leads a daring aerial escape and they end up falling in love. Money does not matter as much to Vinka as it does to Connie, and at the end of the film, as Vinka and Lockwood are leaving for America, a Russian agent runs up, offering her the $100,000 bonus. She declines the check, but Lockwood takes the $100,000.
Read more about this topic: The Iron Petticoat
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)