The Hours (engraving)
The Hours is a stipple engraving by a master of the technique, Francesco Bartolozzi (1725-1815), published on April 4, 1788, from the print shop of Thomas Macklin, at No. 39 Fleet Street, London. The print is based upon a painting by Maria Cosway (1760-1838). The dancing hours, or nymphs of Greek mythology, were a pictorial representation of the poem "Ode on the Spring" by British poet Thomas Gray (1716-1771). The poem begins:
"Lo! where the rosy-bosomed Hours,
Fair Venus' train, appear,
Disclose the long-expecting flowers,
And wake the purple year!
The Attic warbler pours her throat,
Responsive to the cuckoo's note,
The untaught harmony of spring:
While, whisp'ring pleasure as they fly,
Cool Zephyrs thro' the clear blue sky
Their gathered fragrance fling."
Maria Cosway sent a copy of the engraving to Jacques-Louis David (1748-1825), a highly influential French painter, who stated, "on ne peut pas faire une poesie plus ingenieuse et plus naturelle." ("One couldn't make poetry more ingenious and more natural.")
Read more about The Hours (engraving): The Stippling Technique, Details From "The Hours", The Title
Famous quotes containing the word hours:
“Some hours seem not to be occasion for any deed, but for resolves to draw breath in. We do not directly go about the execution of the purpose that thrills us, but shut our doors behind us and ramble with prepared mind, as if the half were already done. Our resolution is taking root or hold on the earth then, as seeds first send a shoot downward which is fed by their own albumen, ere they send one upward to the light.”
—Henry David Thoreau (1817–1862)