The Hostage of Zir - Reception

Reception

Publishers Weekly calls the book a "cheerfully bloody and bawdy adventure, which will strike home to anyone who's experienced conducted travel."

Rosemary Herbert, writing for Library Journal, is less enchanted: "The book is lively at times, particularly when Reith is forced to marry an alien, but for the most part it reads like a traveler's nightmare, full of stereotyped characters, unsympathetically portrayed."

Lester del Rey in Analog Science Fiction/Science Fact has no such complaints, proclaiming "here's only one way to describe ; it's a new Krishna novel. And like de Camp's other popular Krishna novels, it's a wry and wacky story of a human forced to contend with the semicivilized and semihuman cultures of an alien world where Murphy's law always holds good, and nothing ever goes according to plan. You could call it sword-and-sorcery, since swords are buckled with a touch of swash, and human science is a sort of magic to the too-human but egg-laying Krishnans. But the adventure is always cock-eyed." He concludes that "f you've read and enjoyed the other stories of Krishna, you'll want this one. If you haven't read any, this is a good one to start with."

William Mattathias Robins takes a middle tone: "e Camp's travelers are a misfit crew of oversexed, silly, selfish, xenophobic outlanders. Reith, however, is an appealing young man who is literally transformed from an introvert to a composed, even heroic, leader. Most of the action is seen through his eyes, so the reader shares in his growth, and the novel proves successful."

Don D'Ammassa, addressing this and other late entries in the Viagens series, writes "he quality of the series remains undiminished in volumes, which combine good-natured mayhem and a crisp, exciting narrative style.

Read more about this topic:  The Hostage Of Zir

Famous quotes containing the word reception:

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)