Style
Lyrically, whereas the other band formed from The Broadways' break-up, The Lawrence Arms, favour more introspective lyrics, Dan Hanaway's lyrics for The Honor System retain his socio-political perspective: covering issues including, but not limited to, police corruption ("Nails", "The Blaming Game"), criticism of the media ("The Blaming Game", "Losing Connection", "Hz"), anti-capitalism/corporatism ("Fool's Gold", "Muffled By Concrete", "Replacement Parts", "Moving Day"), the encroachment of development over the natural environment and human life ("Muffled by Concrete", "Conquistadors"), war ("Clockwork"), prisons and the prison–industrial complex ("The Rise and Run"), etc.
Musically, the band built upon The Broadways' melodic punk rock, dual guitars, and non-traditional song structures – incorporating better production, more developed instrumentation, and an increasingly heavy sound, the latter particularly after McGuire's replacement by Wiseman. Hanaway's vocals show a continued evolution from their rougher sound on his earlier works.
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—Raymond Chandler (1888–1959)
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—Friedrich Nietzsche (1844–1900)