Style
Lyrically, whereas the other band formed from The Broadways' break-up, The Lawrence Arms, favour more introspective lyrics, Dan Hanaway's lyrics for The Honor System retain his socio-political perspective: covering issues including, but not limited to, police corruption ("Nails", "The Blaming Game"), criticism of the media ("The Blaming Game", "Losing Connection", "Hz"), anti-capitalism/corporatism ("Fool's Gold", "Muffled By Concrete", "Replacement Parts", "Moving Day"), the encroachment of development over the natural environment and human life ("Muffled by Concrete", "Conquistadors"), war ("Clockwork"), prisons and the prison–industrial complex ("The Rise and Run"), etc.
Musically, the band built upon The Broadways' melodic punk rock, dual guitars, and non-traditional song structures – incorporating better production, more developed instrumentation, and an increasingly heavy sound, the latter particularly after McGuire's replacement by Wiseman. Hanaway's vocals show a continued evolution from their rougher sound on his earlier works.
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Famous quotes containing the word style:
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translating my life for the deaf, the blind,
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—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“One never tires of what is well written, style is life! It is the very blood of thought!”
—Gustave Flaubert (1821–1880)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)