Literary Significance and Reception
Maurice Richardson, in the December 1, 1946 issue of The Observer wrote briefly, "Agatha Christie has staged, against her smartiest, most hyper emotional background so far, the shooting of a philandering doctor. Solution by a rather subdued Poirot. Good double-bluff surprise."
Robert Barnard: "Notable specimen, with more complex characterization than usual, and occasionally rising to wit (especially on the subject of cooking). Illustrates vividly one dilemma of the detective writer: if you establish characters of some psychological complexity, how do you prevent the routine detection stuff coming as an anticlimax? Christie records that her daughter protested against her decision to dramatize the book, and the instinct was probably right: most of the interest here, unusually, is internal, and difficult to present via Christie's rather old-fashioned stage techniques. Definitely among the top ten, in spite of the falling-off in the second half."
Modern French novelist Michel Houellebecq is an admirer of the book, and in his 2001 novel Platform described it as "a strange, poignant book; these are deep waters, with powerful undercurrents."
Read more about this topic: The Hollow
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