Origins
The production started with Riff Markowitz envisioning the initial concept and then inviting a room full of creative friends to a spaghetti and champagne 'brainstorming' dinner party in his double suite at the Windsor Arms Hotel in Toronto. Markowitz directed the brainstorming session while his assistant Roger John Greco made notes of everything said.
Previously CHCH had broadcast two other Markowitz shows: The Randy Dandy Show for children, starring Rafael Markowitz as Randy Dandy, who sold soda pop and potato chips on the side; and The Ed Allen Show, an exercise program. CHCH approved the production of Frightenstein to take advantage of their station's new ability to reach into the Toronto market for advertising dollars.
Randy Dandy's soda pop venture was later taken up by the Count when he promoted Dracola from the castle to raise money for his Brucie project.
Sid Biby led the station at this time. The Hilarious House of Frightenstein was one of the most ambitious shows attempted by Canadian producers during this era.
Markowitz later began production of an animated cartoon version of the show with animator Al Guest that never got to air.
Read more about this topic: The Hilarious House Of Frightenstein
Famous quotes containing the word origins:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)