Style
Angelou does not begin to create her own narrative until The Heart of a Woman, which depends less upon the conventions of fiction than her previous books. For example, there is less dialog and fewer dramatic episodes. The Heart of a Woman is more uplifting than its predecessors due to Angelou's resolution of her conflict between her duties as a mother and her success as a performer.
Angelou perfects the use of the vignette in The Heart of a Woman to present her acquaintances and close associates. Two of her most developed vignettes in this book are of Billie Holiday and Malcolm X. The vignettes of those she knew well, like Vusumki Make, also present her interactions and relationships. Hagen writes that although "frank talk seemed to be almost requisite for a commercially successful book" in the early 1980s, Angelou values monogamy, fidelity, and commitment in her relationships.
For the only time in this series, Angelou describes her son's accident in detail at both the end of this book and the beginning of her next one, a technique that centralizes the two books and connects them with each other, creates a strong, emotional link between them, and repeats Angelou's pattern of ending each book on a positive note. In this book, Angelou ends with a hopeful look to the future as her son attains his independence and she looks forward to hers. Hagen writes, "Faithful to the ongoing themes of survival, sense of self, and continuing education, The Heart of a Woman moves its central figures to a point of full personhood."
Read more about this topic: The Heart Of A Woman
Famous quotes containing the word style:
“American universities are organized on the principle of the nuclear rather than the extended family. Graduate students are grimly trained to be technicians rather than connoisseurs. The old German style of universal scholarship has gone.”
—Camille Paglia (b. 1947)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“Sometimes among our more sophisticated, self-styled intellectuals—and I say self-styled advisedly; the real intellectual I am not sure would ever feel this way—some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (1908–1973)