The Hazards of Helen - Production

Production

Starring an independent, quick-thinking and inventive heroine, the series was filmed on location in the city of Glendale and in various parts of Tuolumne County in California. The film offered repeated dramatic situations for "Helen" using such props as a moving train, a runaway boxcar, a heroine in distress tied to the railroad tracks, and other dangers. "Helen" did such things as leap off the roof of a building, roar around a sharp mountain curve behind the wheel of her speeding car, or jump onto a moving train from a car or a galloping horse while chasing the bad guy train robbers. Although the plot occasionally called for Helen to be rescued by a handsome male hero, in most episodes it was the dauntless Helen who found an ingenious way out of her dire predicament and single-handedly collared the bad guys, bringing them to justice.

The film series star, Helen Holmes, who began her career at Keystone Studios, did most of her own stunts. The series used several different stuntmen for the male parts, including Leo D. Maloney and the up-and-coming Harold Lloyd. Along with Pearl White, who starred in Pathé's adventure serial The Perils of Pauline, Helen Holmes became a much talked about national celebrity and major box-office draw.

Prior to filming the "Night Operator at Buxton" (episode 18), Helen Holmes fell ill and Anna Q. Nilsson replaced her on that one occasion. After 26 episodes, Holmes and director J.P. McGowan left to set up their own film production company. While working on the serial, the two had begun a relationship that led to marriage. Director James Davis took over and Elsie McLeod substituted in episodes 27-49 until a permanent "Helen" could be found.

The heroine for the remainder of the series was played by Rose Wenger Gibson, at the time married to Hoot Gibson. Rechristened "Helen" by the Kalem Company, she rose to a celebrity status equal to that of Helen Holmes.

"Hazard of Helen" was credited by the Las Vegas Age as the first great motion picture thrill to come to Las Vegas. In 1910 Jack McGowan spent a month or more filming chapters on the corner of Fremont Street and Second. An old mill was erected and then saturated by kerosene then set a blaze by the villan.

Read more about this topic:  The Hazards Of Helen

Famous quotes containing the word production:

    Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
    Karl Marx (1818–1883)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    [T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.”
    State of Utah, U.S. public relief program (1935-1943)