Sources
Betrand Godgar believed that, in the play, "Fielding unambiguously jeered at politicians and court figures, reducing them to the level of a Welsh family with its domestic squabbles." Fielding transitioned from the Pulteney and Walpole feud (see discussion at The Welsh Opera -Sources) to parodying the royal family when he expanded The Welsh Opera into The Grub-Street Opera. Unlike the feud, the depiction of the royal family was risky, especially seeing as how Fielding had no direct knowledge of any actual actions taking place with the royal family. Instead, he based his knowledge on rumours.
As for specific characters, Sir Owen Apshinken represents George II of Great Britain, Lady Apshinken represents queen consort Caroline of Ansbach, and the Apshinken son represents Frederick, Prince of Wales. The help also represent individuals involved in politics, for example, the gardener, Thomas, represents Thomas Pelham-Holles, 1st Duke of Newcastle, their groom, John, represents John Hervey, 2nd Baron Hervey, the butler, Robin, represents Sir Robert Walpole, and the coachman, William, represents William Pulteney, 1st Earl of Bath. Although these depictions may have caused problems for Fielding, the Battestins believe that "Fielding's satire is fairly innocuous when compared to the egregious standard of scandal-mongering and vituperation current at the time. And — an important circumstance often overlooked — his satire is even-handed in roasting both parties alike."
Read more about this topic: The Grub Street Opera
Famous quotes containing the word sources:
“The sources of poetry are in the spirit seeking completeness.”
—Muriel Rukeyser (1913–1980)
“My profession brought me in contact with various minds. Earnest, serious discussion on the condition of woman enlivened my business room; failures of banks, no dividends from railroads, defalcations of all kinds, public and private, widows and orphans and unmarried women beggared by the dishonesty, or the mismanagement of men, were fruitful sources of conversation; confidence in man as a protector was evidently losing ground, and women were beginning to see that they must protect themselves.”
—Harriot K. Hunt (1805–1875)
“On board ship there are many sources of joy of which the land knows nothing. You may flirt and dance at sixty; and if you are awkward in the turn of a valse, you may put it down to the motion of the ship. You need wear no gloves, and may drink your soda-and-brandy without being ashamed of it.”
—Anthony Trollope (1815–1882)