Non Original Copies and Derivative Works
200px Billboard in Hokkaidō, Japan.Like other well known Japanese prints, the Great Wave has been frequently copied using the same techniques, as well as reproduced by photo-mechanical means. These copies are often confused with the authentic original print.
The print is one of the most reproduced artworks in the world, and was one of the subjects of the BBC documentary series, The Private Life of a Masterpiece, which detailed the fascination surrounding the work in the East and West, its influence, and the artist's insights into a number of different areas, as revealed through the piece.
The print is the subject of episode 93 of the BBC Radio 4 series A History of the World in 100 Objects, broadcast in September 2010.
The logo used by the Quiksilver clothing company was inspired by the Great Wave.
It appears as the Dynamic Painting in Animal Crossing: City Folk.
An artistic work named 'Uprisings' by Japanese/American Artist Kozyndan is based on the print, with the foam of the wave being replaced by bunnies
Read more about this topic: The Great Wave Off Kanagawa
Famous quotes containing the words original, copies, derivative and/or works:
“What is most original in a man’s nature is often that which is most desperate. Thus new systems are forced on the world by men who simply cannot bear the pain of living with what is. Creators care nothing for their systems except that they be unique. If Hitler had been born in Nazi Germany he wouldn’t have been content to enjoy the atmosphere.”
—Leonard Cohen (b. 1934)
“The only good copies are those which make us see the absurdity of bad originals.”
—François, Duc De La Rochefoucauld (1613–1680)
“Poor John Field!—I trust he does not read this, unless he will improve by it,—thinking to live by some derivative old-country mode in this primitive new country.... With his horizon all his own, yet he a poor man, born to be poor, with his inherited Irish poverty or poor life, his Adam’s grandmother and boggy ways, not to rise in this world, he nor his posterity, till their wading webbed bog-trotting feet get talaria to their heels.”
—Henry David Thoreau (1817–1862)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)