The Great Rock 'n' Roll Swindle (album) - Production

Production

The band was defunct by the time the soundtrack was being prepared, and Johnny Rotten refused to participate in the project, so the "proper" Sex Pistols tracks were done by taking Lydon's vocals from the October 1976 demo session recordings and rerecording their instrumental tracks (done by Paul Cook and Steve Jones).

The double album features a significant number of tracks that omit Lydon entirely; most of them written and recorded after the band broke up. These include Sid Vicious singing cover songs, two new original songs ("Silly Thing", sung by Cook and "Lonely Boy", sung by Jones), tracks Cook and Jones recorded with Ronnie Biggs, the title track and "Who Killed Bambi?" sung by Edward Tudor-Pole, and numerous novelty tracks including French street musicians playing "Anarchy in the UK" and a medley of several Sex Pistols songs covered by a disco band.

Two further tracks were recorded along "Lonely Boy" and "Silly Thing" between May and July 1978; "Black Leather" and "Here We Go Again". While the two songs did not end up on either the film nor the soundtrack, both were later released as Sex Pistols singles.

Along with Rotten, people who sang on The Great Rock 'n' Roll Swindle include:

  • Paul Cook – lead vocals on "Silly Thing" (1978), backing vocals on "The Great Rock 'n' Roll Swindle" (1979)
  • Steve Jones – lead vocals on "Lonely Boy", backing vocals on "The Great Rock 'n' Roll Swindle", lead vocals on "Friggin' In The Riggin" and lead vocals on the single release of "Silly Thing" (1978)
  • Ronnie Biggs – lead vocals on "No One is Innocent", "Belsen Was a Gas" (1978)
  • Malcolm McLaren – lead vocals on "You Need Hands" (1979)
  • Edward Tudor-Pole – lead vocals on "Rock Around the Clock", "Who Killed Bambi", "The Great Rock 'n' Roll Swindle", (1979)
  • Sid Vicious – lead vocals on "My Way", "C'mon Everybody", "Something Else" (1978)

Read more about this topic:  The Great Rock 'n' Roll Swindle (album)

Famous quotes containing the word production:

    To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.
    Calvin Coolidge (1872–1933)

    The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.
    Ernest Gellner (b. 1925)

    It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.
    John Dewey (1859–1952)