The Grand Duke - Versions of The Text

Versions of The Text

The published vocal score for The Grand Duke was available within days of opening night, and it included all of the music performed at the premiere. Shortly thereafter, there were a number of substantial cuts, which were reflected in the published libretto. It is uncertain whether Sullivan (who was travelling abroad) agreed with these cuts, but the published vocal score was never revised. The libretto and vocal score have thus remained in disagreement.

The cuts involving the music included:

  • One verse of No. 10, "As o'er our penny roll we sing"
  • Several passages in the Act I finale
  • No. 21, "Come bumpers – aye, ever-so-many"
  • No. 27, "Take my advice – when deep in debt"
  • No. 28a, "Well you're a pretty kind of fellow"

There is no standard performing version of The Grand Duke. While most companies that have produced The Grand Duke agree that the first-night version is too long, there is no established tradition about which cuts to make, if any, and most productions have attempted some reorganization or rewriting.

The 1976 D'Oyly Carte recording observed the original cuts in Act I, but restored the three deleted numbers from Act II.

Read more about this topic:  The Grand Duke

Famous quotes containing the words versions of, versions and/or text:

    The assumption must be that those who can see value only in tradition, or versions of it, deny man’s ability to adapt to changing circumstances.
    Stephen Bayley (b. 1951)

    The assumption must be that those who can see value only in tradition, or versions of it, deny man’s ability to adapt to changing circumstances.
    Stephen Bayley (b. 1951)

    The power of a text is different when it is read from when it is copied out.... Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command.
    Walter Benjamin (1892–1940)