The Golden Brick is a collective of conceptual artists. The group was established in Los Angeles in 1991, and is known for using artistic plagiarism to motivate people to reconsider value and originality in contemporary art. Their work included copying fairly well known and popular artists, claiming other artists' work as their own, and creating catalogues of fictitious shows.
One of their most notorious works was a small edition of books titled, simply Monograph. The book was a selection of acclaimed artwork, including some of the most sensational work of the controversial 1993 Whitney Biennial, which was then photocopied and bound by the group. They declared that all the work was made by members of the collective.
The 1993 Biennial was an appropriate choice as a target for the Golden Brick. At the time it opened, the show offended many people, but it also showed the world what art in the early Nineties was: raw, uncensored, and confrontational. The critical enthusiasm the show has retrospectively generated is almost unanimous. Hence, critics and artists alike were quick to attack the work of the Golden Brick. It was perceived as a gesture undermining the new artists who were taking risks in the show by devaluing them through reproduction.
Members of the original group protected their anonymity, and they are assumed to have been serious practicing artists themselves. The number of people in the collective shifted throughout its existence, but it is believed to have mostly hovered at around 20 members. They worked together for approximately 3 years and then the group dissipated.
Famous quotes containing the words golden and/or brick:
“Life has no other discipline to impose, if we would but realize it, than to accept life unquestioningly. Everything we shut our eyes to, everything we run away from, everything we deny, denigrate or despise, serves to defeat us in the end. What seems nasty, painful, evil, can become a source of beauty, joy and strength, if faced with an open mind. Every moment is a golden one for him who has the vision to recognize it as such.”
—Henry Miller (18911980)
“Man you ought to see his plans for allsteel buildins. Hes got an idea the skyscraper of the futurell be built of steel and glass. Weve been experimenting with vitrous tile recently... crist-amighty some of his plans would knock you out... Hes got a great sayin about some Roman emperor who found Rome of brick and left it of marble. Well he says hes found New York of brick an that hes goin to leave it of steel... steel an glass.”
—John Dos Passos (18961970)