The Gold-Bug - Publication History and Reception

Publication History and Reception

Poe originally sold "The Gold-Bug" to George Rex Graham for Graham's Magazine for $52 but asked for it back when he heard about a writing contest sponsored by Philadelphia's Dollar Newspaper. Incidentally, Poe did not return the money to Graham and instead offered to make it up to him with reviews he would write. Poe won the grand prize; in addition to winning $100, the story was published in two installments on June 21 and June 28, 1843, in the newspaper. His $100 payment from the newspaper may have been the most he was paid for a single work. Anticipating a positive public response, the Dollar Newspaper took out a copyright on "The Gold-Bug" prior to publication.

The story was republished in three installments in the Saturday Courier in Philadelphia on June 24, July 1, and July 8, the last two appeared on the front page and included illustrations by F. O. C. Darley. Further reprintings in United States newspapers made "The Gold-Bug" Poe's most widely read short story during his lifetime. By May 1844, Poe reported that it had circulated 300,000 copies, though he was likely not paid for these reprints. It also helped increase his popularity as a lecturer. One lecture in Philadelphia after "The Gold-Bug" was published drew such a large crowd that hundreds were turned away. As Poe wrote in a letter in 1848, it "made a great noise." He would later compare the public success of "The Gold-Bug" with "The Raven", though he admitted "the bird beat the bug".

The Public Ledger in Philadelphia called it "a capital story". George Lippard wrote in the Citizen Soldier that the story was "characterised by thrilling interest and a graphic though sketchy power of description. It is one of the best stories that Poe ever wrote." Graham's Magazine printed a review in 1845 which called the story "quite remarkable as an instance of intellectual acuteness and subtlety of reasoning". Thomas Dunn English wrote in the Aristidean in October 1845 that "The Gold-Bug" probably had a greater circulation than any other American story and "perhaps it is the most ingenious story Mr. POE has written; but... it is not at all comparable to the 'Tell-tale Heart'—and more especially to 'Ligeia'". Poe's friend Thomas Holley Chivers said that "The Gold-Bug" ushered in "the Golden Age of Poe's Literary Life".

The popularity of the story also brought controversy. Within a month of its publication, Poe was accused of conspiring with the prize committee by Philadelphia's Daily Forum. The publication called "The Gold-Bug" an "abortion" and "unmitigated trash" worth no more than $15. Poe filed for a libel lawsuit against editor Francis Duffee. It was later dropped and Duffee apologized for suggesting Poe did not earn the $100 prize. Editor John Du Solle accused Poe of stealing the idea for "The Gold-Bug" from "Imogine; or the Pirate's Treasure", a story written by a schoolgirl named Miss Sherburne.

"The Gold-Bug" was republished as the first story in the Wiley & Putnam collection of Poe's Tales in June 1845, followed by "The Black Cat" and ten other stories. The success of this collection inspired the first French translation of "The Gold-Bug" published in November 1845 by Alphonse Borghers in the Revue Britannique under the title, "Le Scarabée d'or", becoming the first literal translation of a Poe story into a foreign language. It was translated into Russian from that version two years later, marking Poe's literary debut in that country. In 1856, Charles Baudelaire published his translation of the tale in the first volume of Histoires extraordinaires. Baudelaire was very influential in introducing Poe's work to Europe and his translations became the definitive renditions throughout the continent.

Read more about this topic:  The Gold-Bug

Famous quotes containing the words publication, history and/or reception:

    Of all human events, perhaps, the publication of a first volume of verses is the most insignificant; but though a matter of no moment to the world, it is still of some concern to the author.
    Herman Melville (1819–1891)

    If you look at the 150 years of modern China’s history since the Opium Wars, then you can’t avoid the conclusion that the last 15 years are the best 15 years in China’s modern history.
    J. Stapleton Roy (b. 1935)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)