The Ghost of A Flea - Reception

Reception

During his lifetime, Blake's prints were described as the work of a madman. This view was reinforced when word spread that Blake was inspired through visions, and, according to G. E. Bentley, "So plain was Blake's madness to some that they assumed he must have been confined in a madhouse" and few were willing to believe that the artist actually saw anything.

In 2006, the painting was described by the New York Times as Blake's "quite strangest and certainly most Gothic work".

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