The Garden of Eden - Background and Publication History

Background and Publication History

Mellow argues the genesis of the story began during Hemingway's honeymoon with his second wife, Pauline Pfeiffer, and shortly after his divorce from Hadley Richardson. The male protagonist's depiction as a young writer, and the woman's depiction as "attractive, exciting, wealthy" mirrored the days spent in Le Grau-du-Roi with Pauline.

The novel was published posthumously in a much-abridged form in 1986. Hemingway began The Garden of Eden in 1946 and wrote 800 pages. For fifteen years he continued to work on the novel which remained uncompleted. When published in 1986, the novel had 30 chapters and 70,000 words. The publisher's note explains that cuts were made to the novel, and according to biographers, Hemingway had achieved 48 chapters and 200,000 words. Scribner's removed as much as two-thirds of the extant manuscript and one long subplot.

The Garden of Eden, Hemingway's ninth novel, was published in 1986, a quarter century after his death. Scribner's published the novel in May 1986 with a first print-run of 100,000 copies.

Read more about this topic:  The Garden Of Eden

Famous quotes containing the words background and, background, publication and/or history:

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    ... every experience in life enriches one’s background and should teach valuable lessons.
    Mary Barnett Gilson (1877–?)

    I would rather have as my patron a host of anonymous citizens digging into their own pockets for the price of a book or a magazine than a small body of enlightened and responsible men administering public funds. I would rather chance my personal vision of truth striking home here and there in the chaos of publication that exists than attempt to filter it through a few sets of official, honorably public-spirited scruples.
    John Updike (b. 1932)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)