The Fly II - Reception

Reception

The Fly II fared well in the box office making $20,021,322 at the US Box Office and a further $18,881,857 worldwide, but reviews were negative. Many believe that Walas (who was the special effects engineer for the Oscar-winning make-up and creature effects in the first film) set out to repeat the success of the original by relying more on heavy gore and violence than on plot and atmosphere. However, it is appreciated by many fans of the horror genre for its great visual impact. Walas has stated that the film was designed to be much more of a traditional (albeit gory) monster movie than Cronenberg's horror/tragic love film.

The scene of a character's head being crushed by an elevator aroused some controversy with the MPAA: they originally gave the film an "X" rating due to its graphic nature. Ultimately Chris Walas was able to gain a more audience friendly "R" rating after reediting the sequence. The VHS and DVD versions retain the full scene.

The film received a certain amount of backlash regarding the 'mutant' dog, in particular, the scene where Martin mercifully euthanizes the dog, which is hideously deformed and kept in a large observation room. Many viewers were disturbed by the dog's appearance and sad fate as mentioned by Chris Walas in the documentary for the Special Edition DVD. He said the audience would feel more sympathy for a mutated animal than a human.

Read more about this topic:  The Fly II

Famous quotes containing the word reception:

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)