The Flagellation of Christ (Caravaggio) - Description

Description

According to art biographer Gian Pietro Bellori (1672), this work was commissioned by the di Franco (or de Franchis) family for a chapel in the church of San Domenico Maggiore in Naples. The family were connected with the Confraternity of the Pio Monte della Misericordia, for whose church Caravaggio had already painted The Seven Works of Mercy. It was moved to the museum at Capodimonte in 1972.

The Flagellation of Christ had long been a popular subject in religious art—and in contemporary religious practice, where the church encouraged self-flagellation as a means by which the faithful might enter into the suffering of Christ. Caravaggio would have had in mind the famous fresco by Sebastiano del Piombo in the church of San Pietro in Montorio in Rome. Caravaggio has reworked Piombo's composition by drastically reducing the picture space so that the sculptural figures seem presented on a shallow stage. He has, however, retained Piombo's sense of the flagellation as a kind of sadistic ballet, with the figures arranged rhythmically across the canvas. Caravaggio's painting introduces an acutely observed reality into the scene: Christ is in this drooping pose, not because it might seem graceful, but because the torturer on the right is kicking the back of his knee while the figure on the left holds his hair tightly in his fist.

This series of highly dramatic and innovative Neapolitan altarpieces — the Seven Works of Mercy, this Flagellation, and a close companion piece, Christ at the Column, all done within a few months of his arrival in the city — instantly made Caravaggio the most talked-about artist in Naples, and the church of Sant'Anna dei Lombardi (Saint Anna of the Lombards — Caravaggio was originally from Lombardy) became a centre of the Caravaggisti, artists painting in the style of Caravaggio. These were not only native Neapolitans like Carlo Sellitto and Battistello Caracciolo, but included Flemish artists like Louis Finson and Abraham Vink who would later help spread Caravaggism to northern Europe.

Read more about this topic:  The Flagellation Of Christ (Caravaggio)

Famous quotes containing the word description:

    A sound mind in a sound body, is a short, but full description of a happy state in this World: he that has these two, has little more to wish for; and he that wants either of them, will be little the better for anything else.
    John Locke (1632–1704)

    To give an accurate description of what has never occurred is not merely the proper occupation of the historian, but the inalienable privilege of any man of parts and culture.
    Oscar Wilde (1854–1900)

    As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.
    Henry David Thoreau (1817–1862)