The Fame Ball Tour - Reception

Reception

Whitney Pastorek from Entertainment Weekly gave a mixed review of the concert saying, "Her onstage banter was at times a bit silly ("I travel the whole world, and when I come home, I can still smell the stench of greed") and the visuals occasionally lacking in coherent theme, but her voice was strong and refreshingly free of overbearing tracking vocals. For all her cocky bluster, perhaps the most undeniable aspect of GaGa's talent is this: The girl can, and does, sing." The show was described to be a "sartorial experimentation that it made Rocky Horror look like cotillion. One presumed the Lady approved – and somewhere, to be sure, Andy Warhol stirred in his grave." Sheri Linden from Yahoo! gave a positive review of the concert saying "Gaga's first theater tour is a hot ticket – and the Lady did not disappoint. Borrowing from Madonna, Grace Jones, David Bowie and Daryl Hannah's "Blade Runner" replicant, Gaga put on a compelling show revolving around her mysterious persona, a trio of leather-jacketed dancers, multiple costume changes and props and a lone DJ providing musical accompaniment." Christopher Muther from The Boston Globe reviewed the concert in House of Blues and said "The combination of song and spectacle was crowd-pleasing and exhilarating. Her club-ready songs were delivered by a woman who is clearly studied, intelligent, and talented." Lynn Saxberg from Ottawa Citizen gave a positive review of the concert at Bronson Centre in Ottawa and said, "Accompanied by a DJ who also played a funky electric guitar, the curvy dynamo (Gaga and Space Cowboy) fronted one of wildest spectacles ever mounted at Bronson Centre, an action-packed circus of sound, lights, video images, fog and choreography. Though heavy on theatrics, there was no skimping on the music." She also commented on Gaga's fashion sense and style in her costumes by saying, "In an hour, Gaga proved her star power by packing in all her hits, displaying influences that ranged from Motown to 80s pop, and exhibiting a fearless fashion sense in several costume changes, none of which covered her bum."

Andy Downing from Chicago Tribune was impressed by the show at House of Blues and said "The work is paying off. Just weeks into her first nationwide headlining tour, the 22-year-old New Yorker already commands the stage like a seasoned pro." Jill Menze from Billboard also gave a positive review for the performance and complimented songs like "Just Dance", LoveGame", Poker Face", "Boys, Boys, Boys" and the fame obsessed "Paparazzi". The reviewer also said that " her chart success, Lady Gaga has proven herself to be an of-the-moment pop sensation. Dig deeper, and it’s clear she’s versatile and talented enough to have staying power." Mikel Wood from Rolling Stone also gave a positive review saying "The tongue-in-cheek tabloid-victim shtick that provides some laughs on The Fame grew somewhat tiresome at the Wiltern, especially when the singer started spewing half-baked media-studies nonsense like, 'Some say Lady Gaga is a lie, and they’re right: I am a lie, and every day I kill to make it true.' Fortunately, this is a woman who knows how to lighten a mood: Within 10 minutes or so, she’d donned a flesh-colored leotard and a bedazzled admiral’s cap and was rhyming 'boys in cars' with 'buy us drinks in bars." On March 13, 2009 Gaga was presented with a plaque from the Recording Industry Association of America by social blogger Perez Hilton commemorating three million sales of her debut single "Just Dance", during her performance at the Wiltern Theatre. This show was also attended by rapper Kanye West. Craig Rosen from The Hollywood Reporter said that "Lady Gaga showed she's a serious contender to Madonna's crown Friday at the Wiltern. She might be a relative newcomer, but the artist born Stefani Joanne Germanotta commanded the stage with a royal air during her hourlong set, at times even sporting a glowing scepter."

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Famous quotes containing the word reception:

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
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    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
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