Production
The ambiguous meaning of the TV series' ending left many viewers and critics confused and unsatisfied. The final two episodes were possibly the most controversial segments of an already controversial series and were received as flawed and incomplete by many. However, Anno and assistant director Kazuya Tsurumaki defended the artistic integrity of the finale.
Gainax launched the project to create a film ending for the series in 1997, first releasing Death and Rebirth as a highly condensed character-based recap and re-edit of the TV series (Death) and the first half of the new ending (Rebirth, which was originally intended to be the full ending, but could not be finished due to budget and time constraints). The project was completed later in the year and released as The End of Evangelion. Episode 25': Air uses the original script intended for episode 25 of the original series and forms roughly 2/3 of the previous film, Rebirth.
Ritsuko's voice actress Yuriko Yamaguchi had considerable difficulty delivering her character Ritsuko's response to Gendo Ikari without knowing what Gendo had said (as Anno ensured that part of Gendo's line was inaudible). She successfully delivered the line after being shown a hint from Anno.
Among the images used in the film are of some of the hate-mail and death threats (including graffiti on Gainax's headquarters) as well as letters of praise sent to Anno.
Read more about this topic: The End Of Evangelion
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)