The Elfstones of Shannara - Background

Background

After Terry Brooks had completed all work on his first novel, The Sword of Shannara, in fall 1975—having begun it in 1967—he began work on another book soon after. The plot he originally chose featured the son of Menion Leah as the protagonist and a girl with a Siren-like song that could manipulate the properties of objects around her. Brooks outlined about three-quarters of the story before beginning to write; he refused an attempt by Lester del Rey to see it because Brooks wanted to impress the editor. However, when Brooks finished three-quarters of the tale in fall 1977 after writing around his law practice hours, he found himself stuck and could not think of a suitable ending. He decided to send the story to del Rey to get his opinion on what the end should be. The reply he received was quite unexpected; del Rey firmly believed that Brooks needed to simply get rid of the started novel and start anew due to a plethora of problems he saw. Once del Rey finished a full line-by-line examination of the plot, Brooks leafed through the comments and found them to be disturbingly accurate.

So, Brooks started over. This time, he created an outline for the full story and mailed it to del Rey and his wife for comments prior to delving into the writing process once more. In his frustration about the old story, though, he decided to forget about his former protagonist—even that character's entire generation. Instead, he gave the protagonist role to the grandson of the hero in Sword, Wil Ohmsford. In place of the siren-oriented tale, he took on the history of the Elves. del Rey approved this new plan, and Brooks began weaving the tale in late 1978. He finished it in late 1980 and sent it off to del Rey. He replied in February 1981 with 25 single-spaced pages-worth of errors or problems, including a roughly 200-page span where he felt that the action and dialogue was seen from the author's viewpoint—not a character's. To address this, Brooks utilized Ander Elessedil, formerly a minor character with little impact on the plot, and turned him into the focus of a majority of the book. Four months later, he sent the story out once again. This time it only required minor alterations.