Style
Written in rhyme, the book includes large and lavish full-page illustrations of Horace's opulent house and the events of the party, packed with hidden details. The author invites the reader to deduce the identity of the thief by examining the illustrations and making deductions and observations. Also among the details in the illustrations are hidden messages, ciphers, and codes for amateur cryptographers (for example, one page's border consists of Morse code while another page set in the ballroom contains musical clues as to which guest is guilty). The biggest and most noticeable clue lies in a paragraph of ciphertext at the end of the book, which is to be decrypted, once the reader has discovered the identity of the thief, by means of a Caesar cipher mapping A to the first letter of the guilty animal's name. The solution to the cipher confirms the answer to the puzzle and offers an additional challenge to the reader.
The final portion of the book contains the answers to almost all of the clues in the book (including the cipher), and how to solve them. These last pages are sealed together, as the reader is encouraged to try to solve the puzzles themselves first. This sealed section was absent from earlier prints of the book - but was available by mail.
Read more about this topic: The Eleventh Hour (book)
Famous quotes containing the word style:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)