Criticism
In 1991, James Fallows argued in The Washington Post that The Economist suffers from British class snobbery, pretentiousness, and simplistic argumentation, and "unwholesomely purveys smarty-pants English attitudes on our shores". He also accused it of an editorial line often contradicted by the news stories.
In 1999, Andrew Sullivan complained in the New Republic that it uses “marketing genius” to make up for deficiencies in analysis and original reporting, resulting in “a kind of Reader's Digest” for America’s corporate elite. While Sullivan did acknowledge that the magazine's claim about the dotcom bursting would probably be accurate in the long run, the bubble would not burst in the US market until 2001. Sullivan also pointed out that the magazine greatly exaggerated the danger the US economy was in after the Dow Jones fell to 7,400 during the 1998 Labor Day weekend and noted that the magazine's claim that the US economy was at a high risk of entering a recession was far from clear. He also said that The Economist is editorially constrained because so many scribes graduated from the same college at Oxford University, Magdalen College, which he described as "a somewhat ineffective system for correcting internal flaws in a global magazine." The Observer wrote that "its writers rarely see a political or economic problem that cannot be solved by the trusted three-card trick of privatisation, deregulation and liberalisation."
In 2008, former editor of Newsweek Jon Meacham, a self described "fan", criticised The Economist's focus on analysis over original reporting.
Read more about this topic: The Economist
Famous quotes containing the word criticism:
“... criticism ... makes very little dent upon me, unless I think there is some real justification and something should be done.”
—Eleanor Roosevelt (1884–1962)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige through being mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.”
—Rebecca West (1892–1983)