Critical Reception
The Times prefaced its review with a lament for the bygone days of Savoy opera, and for the defection of Savoy stars to the new genre of Edwardian musical comedy. As to the show, the paper thought "the merits of the piece are neither great nor new … pointless, often tasteless." The music was pronounced "cheap in form and old-fashioned in its kind." The journal Judy thought the production overdone: "the stage is too crowded, and the restlessness of the chorus becomes irritating." The reviewer praised the principal performers and singled out Louie Pounds in particular: "a voice which is worthy of better things."
Of the Broadway production, The New York Times wrote, "a veritable frolic from start to finish, light, tuneful, and full of color, and engaging a company of exceptionally clever people. Reviewing the Australian production, The Morning Bulletin, wrote, "Mr. J. F. Sheridan has surely produced few comedies in which the fun was so fast and furious."
Read more about this topic: The Earl And The Girl
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