Influence
A variety of influences have been claimed for the book. The psychedelic proselytiser, Timothy Leary, was given the book by a colleague soon after returning from Mexico where he had first taken psilocybin mushrooms in the summer of 1960. He found that The Doors of Perception corroborated what he had experienced 'and more too'. Leary soon set up a meeting with Huxley and the two became friendly. The book can also be seen as a part of the history of entheogenic model of understanding these drugs, that sees them within a spiritual context. Looking to broader culture, Huxley's experiment can be seen, alongside the work of other artists such as John Cage and Jackson Pollock, as proposing a model of the imagination opposite to the symbolic, representational structures that had governed Western thought for centuries. Although this new direction cannot be attributed entirely to mescaline or Huxley, it had made a strong impact on politics, art and religion.
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“The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.”
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