The Doors (film) - Historical Accuracy

Historical Accuracy

The film is based mostly on real people and actual events, but some parts are clearly Stone's vision and dramatization of those people and events. For example, when Morrison is asked to change the infamous lyric in "Light My Fire" for his appearance on The Ed Sullivan Show, he is depicted as blatantly ignoring their request. The film depicts a defiant Morrison shouting the word "higher" into the TV camera, while in fact Morrison had highlighted "fire" during the performance, but no more or less than as he originally recorded it. In one version, Morrison insisted that it was an accident, that he meant to change the lyric but was so nervous about performing on live television that he forgot to change it when he was singing. In another version, Ray Manzarek says that The Doors pretended to agree to the change of words, and deliberately played the song as they always had, though, without any added emphasis on the offending word.

The film portrays Morrison's early period with The Doors with all the original band members included. Robby Krieger did not join the band until later the same year as this particular period takes place.

When Jim is at the bar he asks the bartender for a Dos Equis, but Dos Equis wasn't exported to the United States until 1973.

Jim and Patricia Kennealy are talking in the shower stall in the scene in New Haven, Connecticut. She inaccurately states that Jim attended the University of Florida, when Jim actually attended Florida State University.

Morrison is also depicted locking Courson in a closet and setting it on fire, which is said to have never happened. None of the above mentioned books tell this story either. Rhino Records photographer Bobby Klein claims to have had Courson come over to his house when this incident occurred, and to have taken care of her during some weeks after. Manzarek is quoted as stating firmly that this incident never happened in the record of a question and answer session he did on Universal Chat Network in 1997. However, in his book Light My Fire, Manzarek is frank about Morrison's tendency to go into senseless rages. The book The Doors quotes Densmore as saying of the couple, "They were like Romeo and Juliet. They fought like hell, but they were meant to be together."

Dialogue that took place between Kennealy and Morrison is reassigned to Courson, and Courson is depicted as saying hostile things to Kennealy, when by all reports their interactions were polite. Densmore is also portrayed as hating Morrison as Morrison's personal and drug problems begin to dominate his behavior. In truth, as Densmore writes in Riders on the Storm, he never directly confronted Morrison about his behavior.

Krieger, Densmore, and Kennealy are all credited as technical advisors for the film; however, they have all commented that although they may have given advice, Stone often chose to ignore it in favor of his own vision of the story. The settings for the film, particularly the concert sequences, are depicted in mostly chronological order, although the crowd scenes contain many blatant exaggerations, such as portrayals of nudity that did not occur.

The surviving Doors members were all to one degree or another unhappy with the final product, and were said to have heavily criticized Stone's portrayal of Morrison as an "out of control sociopath". In a 1991 interview with Gary James, Manzarek criticized Stone for exaggerating Morrison's alcohol consumption in the movie, saying, "Jim with a bottle all the time. It was ridiculous . . . It was not about Jim Morrison. It was about Jimbo Morrison, the drunk. God, where was the sensitive poet and the funny guy? The guy I knew was not on that screen." In the afterword of his book Riders on the Storm, Densmore says that the movie is based on "the myth of Jim Morrison". In the same place, he criticizes the film for portraying Morrison's ideas as "muddled through the haze of the drink ". In a 1994 interview, Krieger said that the film doesn't give the viewer "any kind of understanding of what made Jim Morrison tick." Krieger also commented about the film in the same interview: "They left a lot of stuff out. Some of it was overblown, but a lot of the stuff was very well done, I thought."

In the book The Doors, Manzarek says, "That Oliver Stone thing did real damage to the guy I knew: Jim Morrison, the poet." In this book, Densmore says of the movie, "A third of it's fiction." In the same volume, Krieger joins Manzarek and Densmore in describing the movie as inaccurate, but also says, referring to the film's inaccuracy, "It could have been a lot worse."

As the credits point out and as Stone emphasizes on his DVD commentary, some characters, names, and incidents in the film are fictitious or amalgamations of real people. Stone states in particular in the 1997 documentary The Road of Excess that Quinlan's character, Patricia Kennealy, is a composite, and in retrospect should have been given a fictitious name. Kennealy in particular was hurt by her portrayal in the film. Ryan's character, Pam Courson, involves liberties of a different sort. The former Doors do not think the movie depiction of her is very accurate, as their book The Doors describes the version of Courson in the movie as "a cartoon of a girlfriend". Courson's parents had inherited Morrison's poems when their daughter died, and Stone had to agree to restrictions about his portrayal of her in exchange for the rights to use the poetry. In particular, Stone agreed to avoid any suggestion that Courson may have been responsible for Morrison's death. However, Alain Ronay and Courson herself had both said that she was partially responsible. In Riders on the Storm, Densmore says Courson said she felt terribly guilty because she had obtained drugs that she believed had either caused or contributed to Morrison's death.

However, Manzarek did not share the same enthusiasm of how Morrison was portrayed by Stone's interpretation. In Manzarek's biography of the Doors, Light My Fire he often criticizes Stone and also includes myriad details that discredit Stone's account of Morrison. For example, in Stone's "re-creation" of Morrison's student film at UCLA, he has Morrison watching a D-Day sequence on TV and shouting profanities in German, with a near-nude German exchange student dancing on top of the TV sporting a swastika armband. According to Manzarek, the only similarity between Stone's version and Morrison's was that the girl in question was indeed German.