Famous quotes containing the words the day, day, sky, exploded, italian, sci-fi and/or movie:
“He appeared to be a very religious man, and said his prayers in a loud voice, in Indian, kneeling before the camp, morning and evening,—sometimes scrambling up again in haste when he had forgotten this, and saying them with great rapidity. In the course of the day, he remarked, not very originally, “Poor man rememberum God more than rich.””
—Henry David Thoreau (1817–1862)
“A man whose mind feels that it is captive would prefer to blind himself to the fact. But if he hates falsehood, he will not do so; and in that case he will have to suffer a lot. He will beat his head against the wall until he faints. He will come to again and look with terror at the wall, until one day he begins afresh to beat his head against it; and once again he will faint. And so on endlessly and without hope. One day he will wake up on the other side of the wall.”
—Simone Weil (1909–1943)
“Morning, a glass door, flashes
Gold names off the new city,
Whose white shelves and domes travel
The slow sky all day.
I land to stay here....”
—Philip Larkin (1922–1986)
“The generation of women before us who rushed to fill the corporate ranks altered our expectations of what working motherhood could be, tempered our ambition, and exploded the supermom myth many of us held dear.”
—Melinda M. Marshall (20th century)
“Master of Trinity: Is he an Italian?
Harold Abrahams: Of Italian extraction, yes.
Master of Trinity: I see.
Harold Abrahams: But not all Italian.
Master of Trinity: I’m relieved to hear it.
Harold Abrahams: He’s half-Arab.”
—Colin Welland (b. 1934)
“In sci-fi convention, life-forms that hadn’t developed space travel were mere prehistory—horse-shoe crabs of the cosmic scene—and something of the humiliation of being stuck on a provincial planet in a galactic backwater has stayed with me ever since.”
—Barbara Ehrenreich (b. 1941)
“My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.”
—Robert Bresson (b. 1907)