Studio
The program features Stewart sitting at his desk on the elevated island stage in the style of a traditional news show. The show relocated from its original New York studio in mid-1998 to NEP Studio 54 in New York City's Hell's Kitchen neighborhood, where it remained until 2005, when the studio was claimed by Daily Show spin-off series The Colbert Report. On July 11, 2005, the show premiered in its new studio, NEP Studio 52, at 733 11th Avenue, between 51st and 52nd Streets, a few blocks west of its former location.
The set of the new studio was given a sleeker, more formal look, including a backdrop of three large projection screens. The traditional guests' couch, which had been a part of the set since the show's premiere, was done away with in favor of simple upright chairs. The change was initially not well-received, spawning a backlash among some fans and prompting a "Bring Back the Couch Campaign." The campaign was mentioned on subsequent shows by Stewart and supported by Daily Show contributor Bob Wiltfong. The couch was eventually made the prize in a Daily Show sweepstakes in which the winner received the couch, round trip tickets to New York, tickets to the show and a small sum of money.
On April 9, 2007 the show debuted a new set. The projection screens were revamped (with one large screen behind Stewart, while the smaller one behind the interview subject remained the same), a large, global map directly behind Stewart, a more open studio floor, and a J-shaped desk supported at one end by a globe. The intro was also updated; the graphics, display names, dates, and logos were all changed.
Read more about this topic: The Daily Show
Famous quotes containing the word studio:
“[T]hose wholemeal breads ... look hand-thrown, like studio pottery, and are fine if you have all your teeth. But if not, then not. Perhaps the rise ... of the ... factory-made loaf, which may easily be mumbled to a pap betweeen gums, reflects the sorry state of the nation’s dental health.”
—Angela Carter (1940–1992)
“Again and again, I struggled though the storm. Once I fainted—and it wasn’t in the script. I was hauled to the studio on a sled, thawed out with hot tea, and then brought back to the blizzard, where the others were waiting. We filmed all day and all night, stopping only to eat standing near a bonfire. We never went inside.... The blizzard never slackened.”
—Lillian Gish (1896–1993)
“The studio people want me to do “Good-bye Charlie” for the movies, but I’m not going to do it. I don’t like the idea of playing a man in a woman’s body—you know? It just doesn’t seem feminine.”
—Marilyn Monroe (1926–1962)