Musical Style and Influences
When asked to describe their genre, Caroline Corr said it was a "blend of modern rhythms and technology with acoustic instruments, violin, tin whistle, drums, and of course the voices, the marrying of these instruments is our sound". The Corrs' music is typically categorised as folk rock. This is evident in their first two albums, Forgiven Not Forgotten and Talk on Corners, although Andrea described the genre of Talk on Corners by saying "it got more of an edgy feel, a little bit more guitar-orientated and also an Irish sound, which is in Forgiven, Not Forgotten."
In Blue moved to towards mainstream pop, placing heavy emphasis on synthesisers. The move attracted criticism from many; one Entertainment Weekly critic called it "a disheartening example of musical ethnic cleansing". A USA Today critic called it "the best mainstream pop album you're likely to come across".
Borrowed Heaven placed heavier emphasis on guitars, while retaining the original folk rock genre. Home is a traditional Irish album, where the band covered many traditional Irish songs. The album contained songs from different eras of Irish music, including a 1982 song written by the late Phil Lynott ("Old Town") while the 1,000-year-old "Return to Fingal" featured as a bonus track on the Japanese, limited German and Spanish editions.
The Corrs' main influences were their parents who were musicians and encouraged them to learn instruments. They drew inspiration from musicians such as The Eagles, The Police, The Carpenters, Simon and Garfunkel and Fleetwood Mac, which Sharon said in an interview with CNN is the reason "our songs are very, very melodic and ".
Read more about this topic: The Corrs
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“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
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