Criticism
- Clarke, John Henrik, ed. William Styron’s Nat Turner: Ten Black Writers Respond. Boston: Beacon P, 1968.
- Genovese, Eugene D. "The Nat Turner Case", review of William Styron's Nat Turner: Ten Black Writers Respond, ed. John Henrik Clarke, The New York Review of Books, 12 September 1968, Vol. 11, No.4
- Mellard, James M. “This Unquiet Dust: The Problem of History in Styron’s The Confessions of Nat Turner”, Mississippi Quarterly 36.4 (Fall 1983): 525-43.
- Ryan, Tim A. “From Tara to Turner: Slavery and Slave Psychologies in American Fiction and History, 1945-1968”, Calls and Responses: The American Novel of Slavery since Gone with the Wind. Baton Rouge: Louisiana State UP, 2008: 63-113.
Read more about this topic: The Confessions Of Nat Turner
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“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“In criticism I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.”
—Edgar Allan Poe (1809–1845)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)