The Colbert Report - Production

Production

In 2005, The Daily Show won Primetime Emmy Awards, and Comedy Central wanted to expand the franchise. Producers were also looking for a way to hold on to Colbert, Daily Show correspondent and co-writer for six seasons, after the show's other breakout star, Steve Carell, left the program to pursue a career in film and network television. Jon Stewart and Ben Karlin (The Daily Show's executive producer) supposedly came up with the idea for The Colbert Report after watching coverage of the sexual harassment lawsuit filed against Bill O'Reilly. Jon Stewart's production company, Busboy Productions, developed The Report. Colbert, Stewart, and Karlin pitched the idea of the show (reportedly with one phrase: "our version of The O'Reilly Factor with Stephen Colbert") to Comedy Central chief Doug Herzog, who agreed to run the show for eight weeks without creating a pilot.

The Colbert Report first appeared in the form of four television commercials for itself which aired several times on The Daily Show, although the themes that form the basis for The Report can be seen in the reports of Colbert's correspondent character on The Daily Show. The show debuted October 17, 2005, with an initial contract for an eight-week run. On November 2, 2005, based on the strong ratings for the show's first two weeks, Comedy Central and Colbert announced they had signed for an additional year, through the end of 2006. In 2007, co-head writer Allison Silverman became an executive producer of the show.

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Famous quotes containing the word production:

    The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.
    Debbie Taylor (20th century)

    The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.
    Adrienne Rich (b. 1929)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)