Plot
Rinaldi tells the story of the Hatfield-McCoy feud in the late 18th century through the eyes of Fanny, a young female member of the McCoy clan. Set against the backdrop of the Civil War, Rinaldi illustrates the fervent code of honor in the mountains of Kentucky and West Virginia as her protagonist struggles to understand the superstition and loyalty fueling the cycle of violence in Tug Valley. In the end, Fanny must choose between her family and her future to escape the feud.
When Fanny’s sister, Roseanna, the “purtiest girl in the county,” has an affair with Johnse Hatfield, the slow brewing hatred between the Hatfield and the McCoys erupts. As the families take the law into their own hands through dubious pacts and midnight raids, Fanny follows her sister Roseanna into a nest of secrets. Pregnant and estranged from her lover, Roseanna sews a coffin quilt to preserve the family members so quickly disappearing from Tug Valley. Fanny disapproves of the quilt despite her loyalty to her sister and evolves from innocent bystander to judicious dissenter as the violence escalates. With the help of her mysterious “Yeller Thing,” Fanny learns to overcome the petty hatred plaguing both families.
Read more about this topic: The Coffin Quilt
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)