The Claim - Music

Music

The Claim

design and illustration by Dave McKean
Soundtrack album by Michael Nyman
Released January 23, 2001
Recorded September 2000, Whitfield Street Studios, London
Genre Soundtrack, Contemporary classical, minimalism
Length 50:51
Label Virgin
Michael Nyman chronology
The End of the Affair
1999
The Claim
2000
String Quartets 2, 3 & 4/
If & Why
2002
Professional ratings
Review scores
Source Rating
Allmusic

The Claim is Michael Nyman's first (and, as of 2008, only) score for a Western, and his second collaboration with Michael Winterbottom. In it, in particular, in "The Shootout," Nyman pays homage to Ennio Morricone's Western scores. "The Shootout" also incorporates material from A Zed & Two Noughts and Prospero's Books in a layered manner with elements of the main themes of the score and a Morricone-style trumpet motif. The score includes the principal scalar riff that appears in numerous Nyman works, including Out of the Ruins, String Quartet No. 3, À la folie, Carrington, the rejected score from Practical Magic, and The End of the Affair. The Claim marks Michael Nyman's last use of this musical material (as of 2008).

Portions of the score appear as solo piano works on Nyman's 2005 album, The Piano Sings, which features Nyman's personal piano interpretations of music he had written for various films.

Read more about this topic:  The Claim

Famous quotes containing the word music:

    On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.
    Marcel Proust (1871–1922)

    If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.
    Henry David Thoreau (1817–1862)

    We often love to think now of the life of men on beaches,—at least in midsummer, when the weather is serene; their sunny lives on the sand, amid the beach-grass and bayberries, their companion a cow, their wealth a jag of driftwood or a few beach plums, and their music the surf and the peep of the beech-bird.
    Henry David Thoreau (1817–1862)