The Claim - Music

Music

The Claim

design and illustration by Dave McKean
Soundtrack album by Michael Nyman
Released January 23, 2001
Recorded September 2000, Whitfield Street Studios, London
Genre Soundtrack, Contemporary classical, minimalism
Length 50:51
Label Virgin
Michael Nyman chronology
The End of the Affair
1999
The Claim
2000
String Quartets 2, 3 & 4/
If & Why
2002
Professional ratings
Review scores
Source Rating
Allmusic

The Claim is Michael Nyman's first (and, as of 2008, only) score for a Western, and his second collaboration with Michael Winterbottom. In it, in particular, in "The Shootout," Nyman pays homage to Ennio Morricone's Western scores. "The Shootout" also incorporates material from A Zed & Two Noughts and Prospero's Books in a layered manner with elements of the main themes of the score and a Morricone-style trumpet motif. The score includes the principal scalar riff that appears in numerous Nyman works, including Out of the Ruins, String Quartet No. 3, À la folie, Carrington, the rejected score from Practical Magic, and The End of the Affair. The Claim marks Michael Nyman's last use of this musical material (as of 2008).

Portions of the score appear as solo piano works on Nyman's 2005 album, The Piano Sings, which features Nyman's personal piano interpretations of music he had written for various films.

Read more about this topic:  The Claim

Famous quotes containing the word music:

    I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.
    Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)

    Yankee Doodle, keep it up,
    Yankee Doodle, dandy,
    Mind the music and the step,
    And with the girls be handy.
    Richard Shuckburg (1756–1818)

    The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.
    Hubert H. Humphrey (1911–1978)